Ai WeiWei’s A Ton of Tea, recently exhibited in Bristol, conjures up Chocolate Gnaw and Lard Gnaw (1992) by Janine Antoni. Although the two pieces address different topics, they coul be perceived as following the same metaphorical discourse, with Ai’s work retrospectively expanding on the interpretation of Antoni’s.
In an interview with MoMA, Antoni explains that “[Chocolate] seemed to embody desire for the viewer, and what happens if you succumb to that desire? You get fat. So I used fat as the material to make the second cube … The lard will begin as a cube and as the exhibition goes on, it will collapse on to the floor”. By extension, her cubes could be read as a comment on consumerism, saturation of greed overindulgence and the eventual collapse of capitalism.
As if following in Antoni’s steps, Ai’s A Ton of Tea “makes reference to post-war art history and globalisation, through the humble substance of tea, China’s oldest export” (caption), thus alluding to today’s economy, with the Sleeping Giant now waking up to take over in the lead.