The Tanks’ Aura

Last April, I finally visited the Tanks at Tate Modern and came back enthralled. When some thought that the ubiquitous plain white cubic space of art galleries could not be stripped down to a more minimalist decor, Tate tears the plaster-and-paint flesh from the walls, exposing the bare stout bones of its foundations.

In spite of the desolate and austere visual quality of the surrounding, with small flights of stairs going from an inaccessible overhanging platform to cemented doorways, there is an aura of dignity and welcoming warmth, as if those stern walls and pillars watched over you from the height of their old age and wisdom. While these structures are certainly imposing, there is nothing intimidating about the place. Indeed, the quiet atmosphere leaves you with a feeling of peace.

Although the appreciation of concrete as the final material in its own right is nothing new, other raw pieces of architecture such as Le Corbusier’s or the Arche de la défense (the foundations of which can also be visited) rarely give such a mighty aura, especially on such a small scale.

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What do You Want to See?

Art is about to compete with marketing, or indeed take centre stage in our streets, as many commercial posters will be replaced by prints of artworks all around the UK for two refreshing weeks.

From the 21st June (tomorrow), the Art Everywhere project will open its virtual polling station to the broad public. By voting for your favourite 50 British artworks, this is your chance to influence what we see around the country between 10th and 25th August, making a visual difference to our urban landscape. As there will be tens of thousands of such posters, this will turn the UK into “the world’s largest art gallery”.

This is free, so get involved and get voting!

The Beguiling of Merlin, by Edward Burne-Jones

The Beguiling of Merlin, by Edward Burne-Jones

Photo: wikipaintings.org